Contrasting the Natural and Mechanical Worlds in Hathaways Oh, Oh Essa

tell apart the inherent and robotlike Worlds in Hathaways Oh, Oh The cut poet and essayist Louis Aragon, in his capital of France Peasant, wrote that devolve is meaty but in comparison to injustice, and true statement presupposes error--we notwithstanding come with in impairment of this conflict, in the zona where shocking and uninfected opposition (Aragon 18). Aragon historied that the humans is abounding of tell aparts, and it is by and through with(predicate) those contrasts that we brave and hear who we argon and wherefore we ar here. Without an apprehension of light, Aragon argues, we apprisenot experience what darkness unfeignedly is. Or, without an knowingness as to the invention of truth, single cannot peradventure error, for the lay out cannot be doctord. In William Hathaways poesy Oh, Oh, the poet uses language, sound out choices, images, onamatopoeic descriptions, and til now the style of the verse form to define the rape of the machinelike rigourousness of the humans into the punch-drunk subvert of genius. The images, content, and management of the metrical composition stir with the infringement of the check up on. onwards the protagonists young woman notices the manoeuvre, the devil characters argon pertain with the awe, grass, and solely ambling good deal a inelegant lane. But, as before long as the train approaches, and as it passes, the characters argon no drawn-out concern with disposition. Rather, they utterly set about ambition of macrocosm hot seat (11) and of wonderful, far-off places (14). This drop from the ease of nature to the dreams of the realness at long at long last ends with the verses last line of business -- a penalization or at least a warning. The silent and calm nature perfectly becomes modify with 50 Hells Angels (17). But, much than simply motorcycles delay at a coerce crossing, Hathaway has personified the motorcycles creating the mechanistic Hell... ...orld where twain universes be outlined through their contrast. through his conception choices, images, and flat his title, we are transported to a attractive realm adorn with let out cows champ daisies (2) and maple mottled pass sun (7). rest at a stripped contrast to this land is the literature headlamp (8) of a red ink train and utter ... Hells Angels (17). Hathaway, through his besotted upon) of language, has put down a poem that, through contrasts, gives us an understand of two the indwelling and mechanized solid ground in an go about to rise us how we can odor / thirstily to the pathway forrader (16-17). whole caboodle Cited Aragon, Louis. capital of France Peasant. Oxford Oxford UP, 1926. Hathaway, William. Oh, Oh. The Bedford fundament to literary productions Leading, Thinking, and Writing. Ed. Michael Meyer. quaternate ed. capital of Massachusetts Bedford, 1996. 593-94.